Spring 2012 WWP Wine Index: Who's Hot? Who's Cold?

HOT

  1. Kosta Browne
  2. Schrader
  3. Rhys
  4. Rochioli
  5. Dehlinger
  6. Saxum
  7. Carlisle
  8. Littorai
  9. Thomas Rivers Brown
  10. Bedrock
  11. Sojourn
  12. Rosé</li>
  13. Radio-Coteau
  14. Kutch
  15. 2010 French Reds
  16. Peyrassol Rosé</a> 
  17. Scarecrow
  18. Pontet-Canet
  19. Ridge
  20. Moscato
  21. Rivers Marie
  22. Fontsainte Rosé</a>
  23. 2009 Chateauneuf-du-Pape Deals
  24. Pépière Muscadet Briords
  25. Sea Smoke
  26. US Postal Service Shipping Wine
  27. Cru Beaujolais
  28. 2010 Calera Central Coast Pinot Noir
  29. 2009 Burgundy
  30. Honig

COLD

  1. Bordeaux
  2. Chardonnay
  3. 2008-2011 Napa Cabs
  4. 2010 California Zinfandel
  5. Sea Smoke
  6. Scarecrow 
  7. Rhys
  8. 2009 Chateauneuf-du-Pape
  9. Carlisle
  10. Malbec
Rankings determined by what I'm hearing about, reading about, and buying. The Hottest or Coldest entities are ranked No. 1.

A retweet I read the other day by @nvwineandcigar brought back some terrific memories of collecting baseball cards when I was a kid:

"1984 rookie Eric Davis makes his debut and must wear a numberless jersey when Cincinnati forgets to pack an extra road uniforms."
I immediately went up to our attic and got out two medium-sized boxes of baseball cards and other memorabilia that represented the best five percent I collected from 1988-1991. It's unfortunate my interest coincided with a time when a glut of cards flooded the market and the early days of the steroid scandal. These cards could have been worth something otherwise!

Nevertheless we had a great time pouring over the cards.

The piece of memorabilia that brought back the most pleasant memories -- quite unexpectedly -- was an old issue of Beckett Baseball Card monthly. It was the one with the black and white photo of Bo Jackson on the cover in shoulder pads with a baseball bat over his shoulders. I saved that issue, I guess, because it was going to be valuable.

Leafing through the magazine, I was reminded of the many similarities between baseball cards and wine exploration. The price guide, as if anyone could fetch the prices they quoted, reminds me of the numerical ratings at the back of Spectator. The interest in catching cards from rising stars before they became too expensive is similar to discovering hot new producers before their mailing lists are full. The cards are produced each year, like vintages of wine. The list goes on and on.

But the single best page in the magazine, that I'd completely forgotten about, was the Weather Report. A completely arbitrary list of who and what was Hot and Cold. A combination of rising stars, reliable veterans, collectible sets, and disappointing players.

Readers loved to read and react to the list as it was updated each month. You were so savvy to have caught a player before he debuted on the list with a "NR" (not previously ranked). And you were indignant when your favorites fell from glory.

Like it or not, the list seemed to have its finger on the pulse of the hobby. So I thought it would be fun to create the same sort of list for wine.

Should outs to @AndyA3 @MoralBeast @wineduggery and @jmfran1 for sharing their thoughts already.

Methodology


My intent with this list is to capture wine producers/categories/regions/stories that are surging in popularity -or- falling out of favor for one reason or another. Wineries with mailing lists that are hard to crack. Winemakers who seem to have the magic touch. Categories that people are talking about this season. Reliable producers who never seem to fall out of fashion.  Wineries who, if their wines were offered by a retailer, would cause you to stop what you're doing and take note. Wines you hardly ever see at retail.

Categories that are being ignored because they present a hard-to-like style or their value equation doesn't add up. Wineries that are popular with many but risk falling from their lofty perches if they can't continue to deliver.

The Bottom Line

 

I'll acknowledge: This list is biased towards my preferences and the categories I pay attention to. But I tried to include entries I hear people talking about that I don't care for myself.

Next time I update the list I'll provide commentary on the actual picks rather than taking a stroll down memory lane. I hope you enjoy this installment. 

What do you think? What wines are hot lately? Which are cold?

Leave a comment or drop me an e-mail: wellesleywinepress@gmail.com
I'd love to hear from you.


Source: http://feedproxy.google.com/~r/WellesleyWinePress/~3/JNdONh8EE7M/spring-2012-wwp-wine-index-whos-hot.html

Marisa Miller Marisa Tomei Marla Sokoloff Marley Shelton

Shut the Front Door: A Vinsane, Pay-it-Forward, Drinks 4X the Price Wine Recommendation

The problem with sleuthing out good wine under $10 is the recommendations usually come with provisos like, “This is pretty good for the price,” or “This isn’t bad for the style of wine.”  Rare is the time that a wine recommendation for vino under $10 is just, “This is a fantastic wine.”

Who can blame the wine recommender for their caveats and written sleights of hand when they’re left to tout the middling amongst the insipid; the redemptive within the felonious?  It’s like the back-handed compliment from the parents of an axe murderer who note plaintively from the front stoop, “He has a good heart.”

Adding insult to this injury, it seems like nearly all domestic wines under $10 are manipulated to appeal to a demographic.  Far too often, they are oak chipped to a formula, softened, vortexed and plumped back up into a wine beverage complete with a label that screams, “Benignly vague and blandly appealing.  I am inoffensive to a large group of people.”

And, forget about pairing under $10 bottles of vino with food.  Do so only if your idea of wine pairing centers on condiments with artificial coloring and HFCS, so duotone are the wine flavor profiles.

image

When it comes to what should be reliable international value wines, forget about it – most of them aren’t even has-beens, they never were.  France and Italy – I’m talking to you.  For a sawbuck, these are sad, middling, barely potable wines evocative of an athlete whose entire identity is wrapped up in jockdom, but for whom life’s fate never provided him acclaim beyond the local playground. The fact that these wines often taste like a sweaty gym sock may, in fact, be no small coincidence.

Harrumph. 

What I want is what most wine consumers want: A non-spoofulated wine with quality that stands on its own—a good wine at $9.99 that is a good wine, period.  No half-hearted caveats associated with it.  If the wine pairs with dinner, instead of being a digestif, all the better.  Tie me up, spank me and call me Shirley if this mystical and elusive under $10 wine also has any of the following characteristics: Organic, old vines, unfiltered, native yeast, judicious oak, and complexity whilst being food-friendly.

I’m pretty sure I won’t have to have any dalliances in the wine S&M dungeon save for one emerging country.

Recently, I started to see glimpses of where quality, inexpensive wines might be coming from in the future when I tasted through a sampling of wines from the Navarra region of Spain. One $5 bottle of wine was so screamingly good it defied the law of reason. 

image

And, then, I received a recommendation for Masia de Bielsa’s 2009 Garnacha, a Spanish wine from the Campo de Borja area in the Aragon region of Spain, southeast of Navarre and La Rioja.  Adam Japko, a wino friend and author of Wine-Zag, and I did some horse-trading on bottles and he threw in a bottle of wine in a wine shipment to me and noted, “Curious what you think of this…”

What do I think?  I think I owe you favors to last a month of Sundays for turning me onto a beauty.

Of course, wine recommendations don’t happen in a vacuum and the Masia de Bielsa 2009 Garnacha is no different even if it follows a certain circuitous Internet-borne dynamic that seems unusual even in this day and age of “brand vs. land, there are no secret wine values anymore…” online battle.

Jose Pastor is a wunderkind (30 years old) wine importer with a fast growing reputation amongst wine insiders for his portfolio of Spanish wines that are typically natural in style – producers who farm organically when possible, emphasize terroir, use ambient yeasts, filter sparingly and use minimal oak.  In other words, his wines, and especially his inexpensive wine selections, are the anti-brand.  Or, should I say, “They’re the antidote to brand wines.”  The good stuff. 

image

Jose’s wines won’t have an end-cap in stores with promotional materials, nor will they follow you on Twitter or ply you with faux-flattery for a “Like” on Facebook. Ditto that for Pastor playing the points scoring game.  He doesn’t do it. The wines and wineries in his portfolio simply represent something good and honest and rely on smart trade buyers who know good juice when they taste it and are interested in paying that forward to consumer’s one bottle at a time.

This formula isn’t a recipe for getting rich, but it is a recipe for long-term, slow-burning growth based on a purity of vision.

When Richard Schnitzlein, a longtime wine buyer in the greater Boston area, took over the wine section at Ferns Country store in Carlisle, MA in early 2011, he started to remake the selection of wines on offer and that meant much more diversity, spreading the selection from two distributors to 14 over a seven month period.

A part of that remaking was to engage Genuine Wine Selections, a wine distributor in Massachusetts, who carries the Jose Pastor portfolio.

When Genuine Wine Selections partner Dennis Quinn showed up at Ferns in the spring with samples to taste, the ’09 Bielsa was a part of the mix.

Enamored, Schnitzlein started stocking the wine.  “Initially (the Bielsa) was a hand sell, but (it) soon became a wine that people were asking for,” he noted.

Japko was turned onto the Bielsa from Schnitzlein and mentioned the Bielsa on his site in June.  A September Ferns promotion dropped the price on the Bielsa from $11.99 to 9.95 and that yielded 15 cases of the Bielsa moving through the door for Ferns including a stock-up from Japko.

Within a week of receiving my bottle from Japko, I had taken to the Internet to find this wine and I bought a ½ case online from Marketview Liquor in New York state who sells it for $7.99 a bottle.

I’ve gifted a bottle to a friend at work, and, well, I’m writing extensively about this vino, too – my own pay-it-forward juju for having been tipped off to this wine.

The moral of this story?  Finding a gem of a wine for $10 or under isn’t a hopeless process, but you do have to sift a lot of muck to find the gold nugget.  In my opinion, you’re more likely to find a gem by keeping your ears open for word of mouth recommendations from wine-inclined friends or a local wine shop then to take to the wine aisles of your supermarket wine section playing brand roulette.  Here, the internet and Wine-searcher.com is your friend, as well.  In addition, Spain is a country that is producing some excellent wines across all price tiers, and my very recent and very anecdotal track record at the lower-end has been very good.  And, finally, it pays to know people.  It pays to know what Jose Pastor is all about, and it pays to know the Richard Schnitzlein’s and Adam Japko’s of the world who freely share where to find the good stuff, even if finding the good stuff requires an Importer in California, a wine buyer in Massachusetts, a generous friend and internet ecommerce.

2009 Bielsa Vinas Viejas Garnacha

Huge, pure nose with mulberry juice, black cherry, orange peel, earth and a meaty savory quality that gives way to an expressive palate with plum, black cherry, spice and fresh squeezed orange juice.  The finish lingers with plum, pepper and earthiness.  This is a varietally correct, gorgeous, natural, unfiltered wine that screams for food and would be a bargain at 4X the price.  Highly recommended.  At under $10 a bottle, you’d be foolhardy not to find this wine.

Source: http://goodgrape.com/index.php/site/shut_the_front_door_a_vinsane_pay-it-forward_drinks_4x_the_price_wine_recom/

Lindsay Price Lisa Marie Lisa Snowdon Liz Phair

The Lifestyle of An A-List Wine Critic

A-List wine critics are the celebrities of the wine geek but we don’t get a chance to learn much about them. Just Google for interviews of Robert Parker or James Laube and you will see very little outside of promotional stuff. But Antonio Galloni of The Wine Advocate seems to be more open and has [...]

The Lifestyle of An A-List Wine Critic originally appeared on Winecast. Licensed under Creative Commons.

Source: http://feedproxy.google.com/~r/Winecast/~3/r0JKYBK5oFQ/

Mila Kunis Milla Jovovich Minka Kelly Minki van der Westhuizen

What 1% increase in spending will sell you more wine?

Ironically, the answer is probably not by increasing the quality of your wine. With the one exception, moving from a Parker (or other pointillistic) rating of 89 to 90, there is very little chance that you can find any benefit to a 1% increase in wine quality leading to a measured increase in wine sales. Yet [...]

Source: http://feedproxy.google.com/~r/TheWineConversation/~3/k6QZ4w5bZU4/

Piper Perabo Poppy Montgomery Portia de Rossi Rachael Leigh Cook

Mr. Ridge Comes a-Knockin?

Master Sommelier Robert Jones came to Day-twah recently to promote the wines of Kysela Pere et Fils, LTD, for which he serves as National Sales Manager. Robert and I go back some years, and in that time, he’s noticed that we have a special place in our hearts for the wines of Ridge Vineyards, a [...]

Source: http://feedproxy.google.com/~r/gangofpour/uncZ/~3/WWzzvAO7fIQ/mr-ridge-comes-a-knockin

Kristy Swanson Kylie Bax Lacey Chabert Laetitia Casta

Old World vs. New World in More Ways than just the Wine

In the increasingly close quarters of our global village, Europe is responsible for bringing at least three different substantive and prodigious professional wine journals to market over the last several years.  Each is written by a ‘Who’s Who’ of wine experts.  Meanwhile, stateside, the U.S. has experienced an explosion of pithiness with amateur wine writers writing online.

This juxtaposition becomes relevant after reading a recent post titled, “Are wine blogs going tabloid” by professional wine critic and writer Steve Heimoff.  In his brief post, with a decidedly American point of view, Heimoff summarizes his thoughts with the rhetorical query, “Why do certain bloggers revert to sensationalist stories that don’t, in the long run, matter?”

Good question.  The easy conclusion suggests that controversy and hyperbolically bombastic articles lead to attention and traffic. 

Certainly, two recent books that I’ve been reading bear out this discouraging notion:  Newsjacking:  How to Inject Your Ideas into a Breaking News Story and Generate Tons of Media Coverage and Celebrity, Inc.

image

Both books cover similar ground in examining how brands can subvert the 24-hour news cycle for business benefit and how the 24-hour news cycle has been subverted by celebrities using easy technology while leading our news culture into tabloidesque territory.

When considered with Heimoff’s point, it is an easy deduction to suggest that 1 + 1 does in fact equal 2 – the sensational does sell and, by proxy, online amateur wine writers are a reflection of our larger media culture.

However, in suggesting this, there is at least one bigger contextual point being missed as well as a caveat.  First, it’s an exclusive view that doesn’t take in the totality of the global wine media village and second, while sensationalism may sell, the lascivious isn’t always what’s shared.

No, it seems our schadenfreude and more primal instincts are kept private, while our shock and awe comes to the fore, at least according to one study.

The Wharton School at the University of Pennsylvania recently examined the most emailed articles on the New York Times web site in March of this year (link initiates a PDF download), looking for the triggers for what causes somebody to share an article, what makes one thing more viral than another?

Their conclusion?  Positive content is more viral than negative content, but both, in general, are driven by “activation” – the notion that high arousal (emotive pleasure or outrage) drives shareable content.  According to the research abstract:

Content that evokes either positive (awe) or negative (anger or anxiety) emotions characterized by activation (i.e. high arousal) is more viral.  Content that evokes deactivating emotion (sadness) is less viral.  These results hold (dominance) for how surprising, interesting, or practically useful content is, as well as external drivers of attention.

image

This brings us back to my earlier mention regarding the European wine journals that have come to market in recent years.  Simply, they’re an antidote to the U.S. proclivity for the vapid.

The World of Fine Wine, the family of Fine Wine magazines based in Helsinki and Tong based in Belgium all represent an Old World counterpoint to what can be deemed as the extemporaneous and superfluous coming from the New World.

As Tong publisher Filip Verheyden notes in the Tong manifesto (link initiates a PDF download) :

We live in times of “instant” gratification.  If we want to talk to someone, we pick up our mobile phone wherever we happen to be.  If we want to know something, we click an internet button.  We’re going at 200 km per hour. 

What we seem to forget in this race against time is the trustworthiness of this quickly-acquired knowledge, and that is something we have to find out for ourselves.  But who takes the time to do it? 

…The articles that appear in Tong demand the reader’s attention.  You can’t read them fast and put them away; you have to take the time to understand.  I’d say it takes an evening to read and think about each article.  These are not issues to put in the recycling bin.  Even after five years or more, each will continue to convey the essence of its theme…

The World of Fine Wine and Fine Wine magazine are both similarly endowed with length and verve.

My takeaway based on the Wharton research and the stunning dichotomy between what we’re seeing in the U.S. vs. European wine content is two-fold:

1)  The sometimes sensational aspect of online wine writers, especially domestically, should heed the research and focus their pot-stirring ways on matters that provoke an emotional response from readers, ideally with a positive consequence – like HR 1161 for example instead of tired, lame attempted zingers aimed at Robert Parker.

2)  In addition to a legacy sensibility about the nature and style of wine, the Old World is also drawing a culturally defining line in the sand in how they view and report on wine – it’s with substance, permanence and integrity.

The conclusion is anything but.  However, as the world becomes a smaller place and the U.S. and our wine media becomes a part of the world chorus, losing lead vocal, I would hate for our place in the gallery to be rendered completely voiceless based on a lack of substance which is the seeming trajectory that we’re on. 

It’s just a thought…

If you’re interested in seeing an example of Tong’s long-form think pieces, you can see examples here, here and here.

Source: http://goodgrape.com/index.php/site/old_world_vs._new_world_in_more_ways_than_just_the_wine/

Krista Allen Kristanna Loken Kristen Bell Kristin Cavallari